Phillip explores the complex relationship between nature, civilization and time. The world in a perpetual state of flux. The evidence of which can be found in the endless marks, scrapes and worn down surfaces that are the result of exposure to the elements, repeated human interaction and neglect. Rust stained concrete walls, weathered signage, layers of worn pavement. These unintended textures that happen by chance is what he refer’s to as "the raw aesthetic of urban decay.” It’s what gives old cities their charm and authentic feel. It tell’s a story and evokes a sense of raw authenticity. This serves as a foundation for his artistic approach, which is essentially the deconstruction of the urban environment, removing all recognizable aspects of the subject matter, then reconstructing them to create something entirely new. 

His sculptural work further explores this idea with careful arrangements of semi-familiar shapes that suggest things like machine parts, architectural elements and letter fragments. These works emphasize form, flow and the interplay of light and shadow. With references to industrial, nautical, organic, primal and gothic themes, his goal is to create works that are not just aesthetically pleasing, but also peak curiosity and intrigue.  

Artistic influences range from abstract expressionism to pop, with artists like Barnett Newman, Rothko, Lichtenstein, Gerhard Richter and Louise Nevelson as well as post-modern design such as Bauhaus and deconstruction.  

Phillip studied art at the University of South Alabama where he received a BFA in Graphic Design and Painting. Prior to becoming a full-time artist, he spent 20+ years creating ad campaigns, branding and graphic design for national brands at ad agencies in Boston, MA and Washington DC. 

His works have sold to collectors both nationally and internationally.